<html xmlns:o="urn:schemas-microsoft-com:office:office">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
span.MsoFootnoteReference
{mso-style-priority:99;
vertical-align:super;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
margin-top:0cm;
margin-right:0cm;
margin-bottom:8.0pt;
margin-left:36.0pt;
mso-add-space:auto;
line-height:106%;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
{mso-style-priority:34;
mso-style-type:export-only;
margin-top:0cm;
margin-right:0cm;
margin-bottom:0cm;
margin-left:36.0pt;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:106%;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
{mso-style-priority:34;
mso-style-type:export-only;
margin-top:0cm;
margin-right:0cm;
margin-bottom:0cm;
margin-left:36.0pt;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:106%;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
{mso-style-priority:34;
mso-style-type:export-only;
margin-top:0cm;
margin-right:0cm;
margin-bottom:8.0pt;
margin-left:36.0pt;
mso-add-space:auto;
line-height:106%;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-fareast-language:EN-US;}
span.EmailStyle19
{mso-style-type:personal-reply;
font-family:"Calibri",sans-serif;
color:windowtext;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;
mso-ligatures:none;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
/* List Definitions */
@list l0
{mso-list-id:661471454;
mso-list-type:hybrid;
mso-list-template-ids:1867030566 470351873 470351875 470351877 470351873 470351875 470351877 470351873 470351875 470351877;}
@list l0:level1
{mso-level-number-format:bullet;
mso-level-text:\F0B7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Symbol;}
@list l0:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:"Courier New";}
@list l0:level3
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Wingdings;}
@list l0:level4
{mso-level-number-format:bullet;
mso-level-text:\F0B7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Symbol;}
@list l0:level5
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:"Courier New";}
@list l0:level6
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Wingdings;}
@list l0:level7
{mso-level-number-format:bullet;
mso-level-text:\F0B7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Symbol;}
@list l0:level8
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:"Courier New";}
@list l0:level9
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:none;
mso-level-number-position:left;
text-indent:-18.0pt;
font-family:Wingdings;}
ol
{margin-bottom:0cm;}
ul
{margin-bottom:0cm;}
-->@-ms-viewport {
width: device-width;
}
</style><!--[if gte mso 9]><xml>
</xml><![endif]--><!--[if gte mso 9]><xml>
</xml><![endif]--><!--[if gte mso 9]>
<xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
<o:PixelsPerInch>96</o:PixelsPerInch>
</o:OfficeDocumentSettings>
</xml>
<![endif]-->
<meta name="viewport" content="width=device-width, initial-scale=1">
</head>
<body lang="EN-ZA" link="#0563C1" vlink="#954F72" style="word-wrap:break-word">
<div class="WordSection1">
<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:18.0pt;color:black;background:white">Call for chapters
</span></i><i><span style="font-size:18.0pt;font-family:"Times New Roman",serif;color:black;background:white"><o:p></o:p></span></i></p>
<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:14.0pt;color:black;background:white"><o:p> </o:p></span></i></p>
<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:14.0pt;color:black;background:white">Weaving Histories from Below:</span></i><i><span style="font-size:18.0pt;color:black;background:white">
</span></i><i><span style="font-size:14.0pt;color:black;background:white">Needlework in Africa and the writing of gendered and subaltern histories.
<o:p></o:p></span></i></p>
<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:14.0pt;color:black;background:white"><o:p> </o:p></span></i></p>
<p class="MsoNormal">We are developing a volume on needlework and the writing of gendered and subaltern histories, and are calling for chapter contributions. We already have excellent submissions on South Africa but are looking for chapters on needlework from
elsewhere on the African continent. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The proposed volume aims to reflect on how needlework can offer new critical perspectives from which to write gendered and subaltern histories<a name="_Hlk85452915">. Here “needlework</a>” is being used to refer to a broad set of practices,
including, for example, sewing, textile-making, fashion, embroidery, beadwork, weaving, tapestry making, spinning and yarning, wirework, knitting, and crochet.
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">There are four broad threads of interest that have shaped our interest in needlework’s historical and expressive possibilities:<o:p></o:p></p>
<p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Firstly, the deep biases and lacunae within the colonial and post-colonial archives tend to pose challenges in accessing the voices of subaltern communities. Black women, who have historically been triply marginalised on the basis of race,
class and gender, often remain invisible in such records. Understood in light of this marginalisation, needlework has potential to yield insights about those whose perceptions might otherwise be unheard.
<o:p></o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><o:p> </o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><span style="color:black">Secondly, needlework has provided a means for bearing witness or for the expression of trauma and the representation of events of momentous import. Artists in Africa
– like those elsewhere – have responded to the precedent of the <i>Bayueux Tapestry
</i>(which recorded events leading up to the Norman conquest of England in 1066) by representing significant events that have shaped African histories and people’s lives. But women have also used the medium to reflect on their everyday experiences or on their
personal challenges and insights. </span><o:p></o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><o:p> </o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><span style="color:black">Thirdly, needlework has been used by many African women (and men) to navigate between tradition and modernity, and to negotiate identities in a transforming world
shaped by capitalism and migrant labour. Religion has had an impact on needlework also. For example, Christian missionaries and their teachings have historically had an impact on dress as well as gendered understandings of sewing as women’s work. Understood
in this light, needlework is a marker of historical processes and how they have been negotiated.<span class="MsoFootnoteReference">
</span></span><o:p></o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><o:p> </o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><span style="color:black">Fourthly, embroidery has enabled agency. This is not simply through the many self-help projects and collectives deploying needlework that have been set up to generate
an income but also through its being deployed as an expressive medium by those outside the mainstream artworld. At the same time, artists working in mainstream art contexts have recognised in needlework possibilities for engaging powerfully and subversively
with gendered norms and constructs of femininity as well as questions of identity and belonging.</span><o:p></o:p></p>
<p class="MsoNormal" style="background:white;vertical-align:baseline"><span style="color:#201F1E"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="color:black;background:white">Proposals</span></b><b><span style="color:black;background:white;mso-fareast-language:EN-GB"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="color:black;background:white"><o:p> </o:p></span></p>
<p class="MsoNormal">We aim to gather contributions on Africa outside South Africa, and in line with this we would welcome proposals for chapters of 6000 words (inclusive of notes and references) with a focus on one or more of the following themes:
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<ul style="margin-top:0cm" type="disc">
<li class="MsoListParagraphCxSpFirst" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as forms autobiography and biography
<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as a marker, maker and negotiator of identity, whether individual or collective.
<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as testament or documentation of historical events and processes<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as narratives of migration and expressions of diasporic networks<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as resistance and disruption
<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<a name="_Hlk85460153"><span style="font-family:"Times New Roman",serif">The relationship between oral histories, story-telling and needlework
<o:p></o:p></span></a></li><span style="mso-bookmark:_Hlk85460153"></span>
<li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework and the making of memory: how does needlework embed, record or remake political, social and cultural memory?
<o:p></o:p></span></li><li class="MsoListParagraphCxSpMiddle" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework as therapy and rehabilitation<o:p></o:p></span></li><li class="MsoListParagraphCxSpLast" style="margin-left:0cm;mso-add-space:auto;mso-list:l0 level1 lfo1">
<span style="font-family:"Times New Roman",serif">Needlework and the politics of gender
<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="margin-left:18.0pt">As authors will be able to include a maximum for four images in a chapter, contributors are encouraged strongly to focus in depth on selected examples.
<span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt"><b><o:p> </o:p></b></p>
<p class="MsoNormal" style="margin-left:18.0pt">Those interested in authoring a chapter are requested to submit 1) a proposed title and abstract of between 350 and 500 words 2) a short biography (max 200 words) including your current affiliation, and 3) a statement
confirming that the proposed work has not been previously published. <b>Please send to all members of the editorial team</b> by the deadline of
<b>15<sup>th</sup> January 2024</b>. <o:p></o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt"><o:p> </o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt">Applicants will be notified about the outcome of their submissions by mid-February 2024, with a June 2024 deadline for a full first draft. If you have any questions or would like further information, please feel
free to contact us. <o:p></o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="font-size:10.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="color:black">Dr Annie Devenish – History Department, University of the Witwatersrand
<a href="mailto:annie.devenish@wits.ac.za">annie.devenish@wits.ac.za</a></span><span style="font-size:12.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<o:p> </o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span lang="FR" style="color:black">Professor Sophie <span style="border:none windowtext 1.0pt;padding:0cm">
Dulucq - </span>l Département Histoire,<span style="background:white"> </span>l'université Toulouse<span style="border:none windowtext 1.0pt;padding:0cm">
</span></span><span lang="FR" style="border:none windowtext 1.0pt;padding:0cm"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="color:black"><a href="mailto:dulucq@univ-tlse2.fr"><span style="border:none windowtext 1.0pt;padding:0cm">dulucq@univ-tlse2.fr</span></a></span><span style="border:none windowtext 1.0pt;padding:0cm"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<o:p> </o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="color:black">Professor Brenda Schmahmann - South African Research Chair in South African Art and Visual Culture, University of Johannesburg
<a href="mailto:brendas@uj.ac.za">brendas@uj.ac.za</a></span><o:p></o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<o:p> </o:p></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="color:black;border:none windowtext 1.0pt;padding:0cm">Dr Marie Opplert – IFAS Research
</span><span style="color:black"><a href="mailto:marie.opplert@frenchinstitute.org.za"><span style="border:none windowtext 1.0pt;padding:0cm">marie.opplert@frenchinstitute.org.za</span></a></span><span style="border:none windowtext 1.0pt;padding:0cm"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt;background:white;vertical-align:baseline">
<span style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-left:18.0pt"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
<table width="100%" border="0" cellspacing="0" cellpadding="0" style="width:100%;">
<tbody>
<tr>
<td align="left" style="text-align:justify;"><font face="arial,sans-serif" size="1" color="#999999"><span style="font-size:11px;">This communication is intended for the addressee only. It is confidential. If you have received this communication in error, please
notify us immediately and destroy the original message. You may not copy or disseminate this communication without the permission of the University. Only authorised signatories are competent to enter into agreements on behalf of the University and recipients
are thus advised that the content of this message may not be legally binding on the University and may contain the personal views and opinions of the author, which are not necessarily the views and opinions of The University of the Witwatersrand, Johannesburg.
All agreements between the University and outsiders are subject to South African Law unless the University agrees in writing to the contrary.
</span></font></td>
</tr>
</tbody>
</table>
</body>
</html>